A timid girl no more
Author was accepted to Columbia University
Every night when the clock struck seven, I was tormented by the “entertainment” Mary provided. In oversized pants and a dazzlingly shirt, she would sing and dance awkwardly to Latin music. Mary was my host mother last year during an international exchange program in La Porte high school, and apparently, also a salsa aficionado. Upon hearing that I had taken piano lessons for over ten years, she encouraged me to take part in the school’s annual musical.
“It’s the biggest party of the year! Cathy, you’re good at this. Just go for it and have fun!” Unable to say no to such an enthusiastic face, I nodded, auditioned, and eventually scored a role in the chorus. It was a backstage role, which might be the only reason I had so quickly acquiesced to Mary’s request.
Practices went smoothly—I made several new friends and shared laughs with the other cast members. Just one day before the performance, however, the director announced an unexpected change: the chorus members were to perform in the middle of the audience instead of just standing behind the orchestra. While most of the others cherished the chance to publicly display themselves, I became uncontrollably anxious. The memory of my last stage performance haunted me.
You see, my first (and only) piano concert was a catastrophe. At first, the notes flowed smoothly from my fingertips, effortlessly dancing across the ivory keys. Unwisely, I lifted my head from time to time to steal a glance at my parents and teachers in the audience. Trying to distinguish their emotions through their facial expressions, I found my attention gradually drifting. Before long, the melody completely escaped me! Empty-minded and petrified with embarrassment, I froze on the bench for the longest two minutes of my life before dashing offstage. All I could see when I finally mustered the courage to peer out from behind the curtain was the disappointment in my parents’ eyes and the overwhelming darkness of the stage.
Since then, I have avoided such public shows, lest I re-experience such humiliation and fail to meet others’ expectations. But this time, it was too late to quit. I had already made a commitment to not only Mary and myself, but to the entire cast of the musical. Despite being just one member of the chorus, every voice mattered and my duty simply could not go unfulfilled. So, I rehearsed repeatedly that evening. Unfortunately, the more I practiced, the more nervous I became, and the more mistakes I made. My nerves were shot.
The dreaded moment still came. I stood in the darkness like before, awaiting the guillotine. Unintentionally, my eyes found Mary’s face in the audience, and it was a sight to behold: it gleamed with appreciation, joy, and grace as her body swayed to the music. Her rhythm was not perfect, but it evoked my remembrance of my initial impetus to practice music. Something in me changed in that moment, as I observed Mary freely surrender.
Spellbound, I sang naturally and danced harmoniously. For the very first time, I did not feel that I was performing for someone else, neither my parents nor my teachers, but for myself. Even when the music ceased and the applause rose, I was still singing. Not until the other choristers came to hug me and roared with excitement did I realize that I had successfully completed the show.
For years, I had been a timid girl always content to hide behind others and blaming my diffidence and cowardice for my lack of familiarity with the circumstance I faced. Now, I realized that what intimidated me were never actually the expectations from my parents or the audience’s gaze, but rather, my inner insecurities. With the new understanding of music as a means of creative self-expression, I finally embraced my newfound strength and maturity.
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